I really like these CD poster design

Inspiring Movie Posters

CD Covers

Michael Place

I love the geometric architectural qualities of his design. They are loud and bold, yay!

erik spiekermann

What makes his designs stand out, are the use of pure pigments of primary colors, which is affective and eye catching.

Neville Brody

The most interesting thing about his design: Layers, lots of layers, which give the design a sense of depth and movement.

David Carson

He is best known for innovative magazine designs and typography. I really enjoy his bright color schemes + bold text. The colors attract viewer's attention and the bold text sends the message loud and clear. Perfect combination for advertising!

Leonetto Capiello

He is now often called 'the father of modern advertising' because of his innovation in poster design. He was the first poster artist to use bold figures popping out of black backgrounds, a startling contrast to the posters early norm.

James Montgomery Flagg

This artist deals with issues of war and post war; I really like the 

political statements in his designs.

Paul Rand Mascot

This was designed for Stafford Fabrics. What draws attention is that the design is self explanatory. 

Paul Rand Logo

I like the use of symbolic imagery and color, I find this style efficient yet very effective. This was designed for a Norwalk Cancer Center.

Saul Bass Movie Poster

The most interesting thing in Saul Bass movie posters is the simplistic quality of the designs. They are minimal in colors and shapes which made them outstanding in the world of poster design to begin with.

Research on Saul Bass .. 2/9/09

Saul bass is usually referred to as a 20th century genius in the world of design. His designs are unique, versatile, and innovative. He designed logos and corporate identities for some of the biggest corporates in the USA including AT&T and Quaker Oats. Designers all over the world have always been inspired by Bass's designs and have consistently referenced his style. In his poster designs, he aimed to create a design for the very first frame of the film in order to present the viewer with an starting image for the movie that is about to unfold.